BOLLYWOOD FAVOURITE
PUSHES GREAT SARI REVIVAL
PUSHES GREAT SARI REVIVAL
New Delhi (AFP) -
As the platform heeled-models sashay past the flash of cameras to the
sound of U2, Sabyasachi Mukherjee surveys the progress of his campaign
to drag the sari from the back of the closet onto the catwalk.
Mukherjee's efforts to modernise the sari by using unusual fabrics such
as velvet while maintaining its iconic silhouette is fuelling a revival
of the traditional drape. Arguably India's most successful fashion
designer - whose brand has an annual turnover of $11 million -
38-year-old Mukherjee is passionate about the garment. Young,
career-oriented women had been pushing the sari to the back of their
wardrobe, finding them difficult to tie and unsuited to their busy
lifestyles. Having first made a name for himself for his mini-dresses, Mukherjee has more recently devoted his efforts to designing pre-pleated and easy-to-tie saris that are at the same time exquisitely embroidered. “I am a purist at heart, I like traditional saris. But I often flirt with the sari to keep people interested, modifying it in little ways,” he said.
After
a popular Bollywood actress strolled onto the catwalk, dressed in a
full-skirted tulle sari, a bevy of models appeared, many wearing
pre-pleated saris covered with lace appliqués and accessorised with high
heels. It is all part of an effort to attract a younger, more style
conscious clientele, Mukherjee explained. He has also made substantial
forays into Bollywood as part of his campaign to restore the garment's
supremacy in the Indian woman's closet. In addition to dressing leading actresses including former Miss World Aishwarya Rai and Vidya Balan for their red carpet appearances, he has designed costumes for several Hindi films. Mukherjee plans to open more stores across India, where he currently has four shops, before expanding overseas a few years down the line. According to Shefalee Vasudev, an author and founding editor of Marie Claire India, Mukherjee is a fashion visionary.
WHAT DO THE VEDIC TEACHINGS TELL US?
Tradition
includes dress-code, demeanours and flexibility or by its popular name,
social freedom, as diagnostic devices for nature, impression and
depiction of inner discipline. It describes about the subtle impact of
every inch of thought, exposure and action in character, which may not
be digestible to the fashion world. ... Unfortunately, this is branded
as a western culture, whereas it is a degraded form of global cultural
stamina, which has infected the western community. Due to continuous
engagement in scientific and economic pursuits, west has lost its
immunity in self and social control, which has made it the first and the
worst vulnerable region for ethical degradation. ... Without cultural
framework, any self styled discipline, audacity and insecure freedom
will certainly dismantle any orderly society or even an organised one.Śrīla S.A.R. Prasanna Venkatachariar Chaturvedi Swamy :
Acarya de la Ramanuja Sampradaya
“International Conference on Interfaith” - “Culture”
“Culture, Philosophy, Literature and Religion” 2009, Mumbai, India.
http://saranagathi.org/blogs/members/chaturvedi
http://www.sriramanujamissiontrust.org
Published by dasavatara das - "Vedic Views on World News"
http://www.vedicviews-worldnews.blogspot.com.ar/

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